Eugène Ysaÿe, Mariko Senju's '無伴奏ヴァイオリン・ソナタ 作品27: 無伴奏ヴァイオリン・ソナタ 作品27: 第5番 ト長調 第2楽章: Danse rustique' came out on March 4, 2020. With this song being about 5 minutes long, at 5:14, "無伴奏ヴァイオリン・ソナタ 作品27: 無伴奏ヴァイオリン・ソナタ 作品27: 第5番 ト長調 第2楽章: Danse rustique" by Eugène Ysaÿe, Mariko Senju is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 心の叫び~イザイ: 無伴奏ヴァイオリン・ソナタ全曲 (完全版), so we believe that "無伴奏ヴァイオリン・ソナタ 作品27: 無伴奏ヴァイオリン・ソナタ 作品27: 第5番 ト長調 第2楽章: Danse rustique" is a single. 無伴奏ヴァイオリン・ソナタ 作品27: 無伴奏ヴァイオリン・ソナタ 作品27: 第5番 ト長調 第2楽章: Danse rustique is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 無伴奏ヴァイオリン・ソナタ 作品27: 無伴奏ヴァイオリン・ソナタ 作品27: 第5番 ト長調 第2楽章: Danse rustique by Eugène Ysaÿe, Mariko Senju is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
無伴奏ヴァイオリン・ソナタ 作品27 第2番 イ短調: 無伴奏ヴァイオリン・ソナタ 作品27 第2番 イ短調: 第2楽章: Malinconia | Eugène Ysaÿe, Mariko Senju | C Major | 3 | 8B | 89 BPM | ||
Lamento | Simone Plé, Alexandre Pascal, Denis Pascal | B♭ Major | 0 | 6B | 132 BPM | ||
Allegro in D Major, A18 | Carl Friedrich Abel, André Lislevand | D Major | 3 | 10B | 112 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): IV. Une valse militaire (after Prelude No. 16) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | D Minor | 1 | 7A | 114 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: II. Vivace e vibrato | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | A♭ Major | 1 | 4B | 145 BPM | ||
Romance for Violin and Piano, Op.23 | Amy Beach, 대니 구(Danny Koo) | F♯ Major | 2 | 2B | 132 BPM | ||
ウィーン奇想曲(録音1912年12月30日 ニューヨーク:コロムビア・スタジオ) | ウジェーヌ・イザイ, カミーユ・ドクリューズ | B Major | 0 | 1B | 75 BPM | ||
Samson & Dalila, Op. 47: Prélude (Arr. for String Quartet by Eric Mouret) | Camille Saint-Saëns, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): VII. Finale (after Prelude No. 24) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | C Major | 1 | 8B | 97 BPM | ||
Concerto for Violin in G Minor, BWV 1056r: III. Presto | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM |
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