"How Mickey Ended Up in Wasteland" by Jim Dooley was released on January 1, 2010. How Mickey Ended Up in Wasteland is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 2 out of 20 in Epic Mickey by Jim Dooley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. How Mickey Ended Up in Wasteland is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of How Mickey Ended Up in Wasteland by Jim Dooley is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satiate | Kevin MacLeod | D Major | 3 | 10B | 90 BPM | ||
Molduga Battle | Patti Rudisill | D Major | 4 | 10B | 74 BPM | ||
Dreadwing | Brian Tyler | F Minor | 3 | 4A | 87 BPM | ||
Wobbling to War (Ancient Placement) | Karl Flodin | A Major | 3 | 11B | 93 BPM | ||
Go Ahead, Run For It | Heitor Pereira | B Minor | 8 | 10A | 74 BPM | ||
The Night Before the Fright (Spooky Placement) | Karl Flodin | F Minor | 5 | 4A | 170 BPM | ||
Moira | Derek Duke, Leo Kaliski | C Major | 7 | 8B | 120 BPM | ||
Glory to the Guardians | Sea of Thieves | F Minor | 4 | 4A | 63 BPM | ||
Crocodile Cacophony | Ben Zimmermann | G Minor | 7 | 6A | 116 BPM | ||
Gloreth's Theme | Christophe Beck | F♯ Major | 3 | 2B | 172 BPM |
Section: 0.6354460716247559
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