"Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano)" by Franz Schubert, Kian Soltani, Aaron Pilsan was released on December 15, 2023. The duration of Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Since Schubert: Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. The popularity of Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano) by Franz Schubert, Kian Soltani, Aaron Pilsan having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | G Major | 1 | 9B | 176 BPM | ||
Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia) | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 100 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Suite Mosaique, Op. 35: IV. Veslemøys sang | Johan Halvorsen, Eldbjørg Hemsing, Håvard Gimse | F♯ Minor | 2 | 11A | 112 BPM | ||
In Paradisum | Ghislaine Reece-Trapp, Anna Lapwood | C Major | 0 | 8B | 72 BPM | ||
6 Piano Pieces, Op.118: 2. Intermezzo In A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | ||
Peer Gynt, Op. 23: Solveig's Song (Arr. for Violin and Piano by Charlie Siem) | Edvard Grieg, Charlie Siem, Itamar Golan | A Major | 1 | 11B | 73 BPM | ||
Violin Sonata in G Minor, Op. 137 No. 3, D. 408: IV. Allegro moderato | Franz Schubert, Hyejin Chung, Warren Lee | B♭ Major | 1 | 6B | 108 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM |
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