Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act II - " Tag und Nacht in meinen Träumen "" available on November 24, 2011. The duration of Arizona Lady: Act II - " Tag und Nacht in meinen Träumen " is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Arizona Lady: Act II - " Tag und Nacht in meinen Träumen "'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 27 out of 45. The popularity of Arizona Lady: Act II - " Tag und Nacht in meinen Träumen " is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Arizona Lady: Act II - " Tag und Nacht in meinen Träumen " by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Piano Concerto No. 3, Sz. 119: III. Allegro vivace | Béla Bartók, Annie Fischer, Bavarian Radio Symphony Orchestra, Ferenc Fricsay | C Major | 1 | 8B | 70 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Hyeyoon Park, Bavarian Radio Symphony Orchestra, Lawrence Renes | G Major | 2 | 9B | 144 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Symphony No. 2 in C Minor, WAB 102: II. Andante | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum | A Minor | 0 | 8A | 108 BPM | ||
Symphonic Fantasy For Orchestra On A Theme By Girolamo Frescobaldi, Op.20: 3. Langsam, sehr bewegt im Ausdruck | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | F Major | 1 | 7B | 90 BPM |
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