Wolfgang Amadeus Mozart, Ofra Harnoy, James McKay made "Sonata for Bassoon & Cello in B-Flat Major, K. 292: I. Allegro" available on 2012. With this song being about 5 minutes long, at 5:17, "Sonata for Bassoon & Cello in B-Flat Major, K. 292: I. Allegro" by Wolfgang Amadeus Mozart, Ofra Harnoy, James McKay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Ofra Harnoy & Friends". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. Based on our statistics, Sonata for Bassoon & Cello in B-Flat Major, K. 292: I. Allegro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonata for Bassoon & Cello in B-Flat Major, K. 292: I. Allegro by Wolfgang Amadeus Mozart, Ofra Harnoy, James McKay having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Sinfonia concertante for Violin, Viola and Orchestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Gordan Nikolić, Julia Fischer, Netherlands Chamber Orchestra, Yakov Kreizberg | C Minor | 1 | 5A | 78 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM | ||
Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 1 | 7B | 94 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM |
Section: 0.5690703392028809
End: 0.5772781372070312