- BPM
- 80
- Key
- A Major
- Camelot
- 11B
Appalachian Spring: 1. Very slowly - Aaron Copland, Detroit Symphony Orchestra, Antal Doráti Information
- Acousticness
- 92%
- Danceability
- 10%
- Energy
- 1%
- Instrumentalness
- 77%
- Liveness
- 7%
- Loudness
- 37%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -37.723 dB
Summary
"Appalachian Spring: 1. Very slowly" by Aaron Copland, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 2006. The duration of Appalachian Spring: 1. Very slowly is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Appalachian Spring: 1. Very slowly's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 89 in Antal Dorati - A Celebration by Antal Doráti. Appalachian Spring: 1. Very slowly is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Appalachian Spring: 1. Very slowly BPM
The tempo marking of Appalachian Spring: 1. Very slowly by Aaron Copland, Detroit Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Appalachian Spring: 1. Very slowly Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | |
 | Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | |
 | Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | |
 | Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | |
 | Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | B♭ Major | 0 | 6B | 175 BPM | |
 | Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | |
 | The Boatman's Dance (Mistrel Song) | Aaron Copland, Bruce Hubbard, Orchestra of St. Luke's, Saint Luke's Chamber Ensemble, Dennis Russell Davies | A Major | 1 | 11B | 113 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7913918495178223
End: 0.7953848838806152