"Embryons desséchés: Embryons desséchés: II. d'Edriophthalma" by Erik Satie, Alexandre Tharaud was released on January 20, 2009. With Embryons desséchés: Embryons desséchés: II. d'Edriophthalma being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #33. Embryons desséchés: Embryons desséchés: II. d'Edriophthalma is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Embryons desséchés: Embryons desséchés: II. d'Edriophthalma by Erik Satie, Alexandre Tharaud having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Années de pèlerinage I, S. 160: IX. Les cloches de Genève | Franz Liszt, Lazar Berman | E Major | 2 | 12B | 70 BPM | ||
6 Pieces, Op. 94: No. 5 Melodie | Jean Sibelius, Håvard Gimse | B Major | 0 | 1B | 76 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. V | Clara Schumann, Benjamin Grosvenor | F♯ Minor | 3 | 11A | 88 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. VII | Clara Schumann, Benjamin Grosvenor | A♭ Minor | 0 | 1A | 64 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Lyric Pieces Book III, Op. 43: No. 1 Butterfly | Edvard Grieg, Emil Gilels | F♯ Minor | 0 | 11A | 66 BPM |
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