On January 1, 2007, the song "Suite in G minor (1702): Gigue" was released by Davitt Moroney. With Suite in G minor (1702): Gigue being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Davitt Moroney's "Le Clavecin Français: Louis Marchand & Louis-Nicolas Clérambault" album is number 16 out of 36. On top of that, United States appears to be the country where this track was created. Suite in G minor (1702): Gigue is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in G minor (1702): Gigue by Davitt Moroney to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, TWV 50:4: I. Gravement | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | E♭ Minor | 1 | 2A | 87 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Caprice No. 5 in B-Flat Major | Joseph-Marie-Clement Dall'Abaco, Kristin von der Goltz | G Major | 1 | 9B | 64 BPM | ||
Il prigioniero fortunato: Sinfonia: II. Adagio | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 1 | 3B | 84 BPM | ||
Céphale et Procris, Prologue: Reprise de l'ouverture comme entr'acte | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
A Voluntarie, BK 27 | William Byrd, Davitt Moroney | G Major | 1 | 9B | 80 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Musicalischer Parnassus: Terpsichore, Suite No. 7: I. Tastada | Johann Caspar Ferdinand Fischer, Luc Beauséjour | F♯ Major | 2 | 2B | 93 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM |
Section: 0.5767178535461426
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