- BPM
- 106
- Key
- F Minor
- Camelot
- 4A
Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" - Carl Maria von Weber, Ingrid Hille Information
- Acousticness
- 69%
- Danceability
- 51%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 29%
- Loudness
- 51%
- Speechiness
- 23%
- Valence
- 40%
- Popularity
- 0%
- Loudness
- -29.476 dB
Summary
Carl Maria von Weber, Ingrid Hille made "Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen"" available on January 1, 1973. With Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #7 out of 30 tracks. In terms of popularity, Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" BPM
Since Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" by Carl Maria von Weber, Ingrid Hille has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Der Freischütz, J. 277 / Act 3: "Nun muß ich aber den Kranz holen" Key
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Der Freischütz, Op. 77, Act 1 Scene 1: Aria "Allerbarmen! Herr dort oben!" (Der Eremit) | Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Christian Immler | B♭ Minor | 2 | 3A | 124 BPM | |
| Der Freischütz, Op. 77, Act 3 Scene 7: Nr. 16, Finale "Schaut, o schaut "(Chor, Ännchen, Agathe, Kaspar, Max, Samiels Stimme, Kuno, Ottokar) | Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Zürcher Sing-Akademie, Kateryna Kasper, Polina Pastirchak, Dimitry Ivashchenko, Maximilian Schmitt, Max Urlacher | C Major | 4 | 8B | 168 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | |
 | Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | Ravel: Sonatine, M. 40: II. Mouvement de menuet | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 131 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8500359058380127
End: 0.854388952255249