André Gagnon, Daniel Lavoie, Dominique Cote, Kathleen Fortin, Pierre Flynn, Richard Séguin, Sylvie Tremblay, Daniel Bélanger, Esther Gonthier, Gilles Ouellet orchestration, Orchestre Symphonique de Montréal, Jacques Lacombe's 'Nelligan: Act 1: Emile est toujours dans sa chambre (Emilie Hudon; mere d'Emile)' came out on January 1, 2000. With Nelligan: Act 1: Emile est toujours dans sa chambre (Emilie Hudon; mere d'Emile) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André Gagnon's "Gagnon: Nelligan" album is number 7 out of 23. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Nelligan: Act 1: Emile est toujours dans sa chambre (Emilie Hudon; mere d'Emile) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nelligan: Act 1: Emile est toujours dans sa chambre (Emilie Hudon; mere d'Emile) by André Gagnon, Daniel Lavoie, Dominique Cote, Kathleen Fortin, Pierre Flynn, Richard Séguin, Sylvie Tremblay, Daniel Bélanger, Esther Gonthier, Gilles Ouellet orchestration, Orchestre Symphonique de Montréal, Jacques Lacombe to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le piano d'Isabelle | Philippe Rombi | F Minor | 0 | 4A | 110 BPM | ||
Méditation | Jules Massenet, James Galway, David Measham, National Philharmonic Orchestra | D Major | 2 | 10B | 167 BPM | ||
Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | E Major | 2 | 12B | 123 BPM | ||
The Deer Hunter: Cavatina | Stanley Myers, Jason Vieaux | E Major | 0 | 12B | 81 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Comptine | Alexandra Streliski | C Minor | 1 | 5A | 73 BPM | ||
風の奏 | MANCINI HENRY NICOLA, Nao Matsushita | E Major | 1 | 12B | 81 BPM | ||
Meditation for Trio (from "Thaïs") | The O'Neill Brothers Group | B♭ Major | 1 | 6B | 102 BPM | ||
Annie's Song | Thad Fiscella | D♭ Major | 1 | 3B | 195 BPM | ||
ноктюрн in E-Flat Major, Op. 9: No. 2 | Frédéric Chopin, Bernhard Jarvis | B♭ Major | 3 | 6B | 110 BPM |
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