The Browns, Jim Ed Brown made "Barroom Pals And Goodtime Gals (feat. Jim Ed Brown)" available on January 30, 1996. The duration of Barroom Pals And Goodtime Gals (feat. Jim Ed Brown) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Barroom Pals And Goodtime Gals (feat. Jim Ed Brown)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Essential Jim Ed Brown And The Browns (feat. Jim Ed Brown)". In this album, this song's track order is #19. Based on our statistics, Barroom Pals And Goodtime Gals (feat. Jim Ed Brown)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Barroom Pals And Goodtime Gals (feat. Jim Ed Brown) by The Browns, Jim Ed Brown having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Honky-Tonk Season - Single Version | Charlie Walker | D Major | 5 | 10B | 180 BPM | ||
The Wabash Cannonball | Roy Acuff | A Major | 5 | 11B | 165 BPM | ||
Twenty Miles From Shore | Hawkshaw Hawkins | E Major | 5 | 12B | 91 BPM | ||
Just Between The Two Of Us | Charlie Louvin | C Major | 3 | 8B | 112 BPM | ||
Just Hold My Hand | Johnny & Jonie Mosby | E Major | 4 | 12B | 102 BPM | ||
I'd Just Be Fool Enough | The Browns | D♭ Major | 2 | 3B | 106 BPM | ||
Here Today and Gone Tomorrow (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | C Major | 2 | 8B | 117 BPM | ||
The Happiest Girl In The Whole U.S.A. | Donna Fargo | F♯ Major | 4 | 2B | 98 BPM | ||
Lily Dale (with Willie Nelson) | Darrell McCall | A Major | 2 | 11B | 108 BPM | ||
Table Next to Me - Remastered | The Browns | A Major | 3 | 11B | 136 BPM |
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