"Londonderry Air (arr. J. Rutter): Londonderry Air: I Would be True (arr. J. Rutter)" by Traditional, The Cambridge Singers, John Rutter was released on April 24, 2012. The duration of Londonderry Air (arr. J. Rutter): Londonderry Air: I Would be True (arr. J. Rutter) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Londonderry Air (arr. J. Rutter): Londonderry Air: I Would be True (arr. J. Rutter)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "This is the Day: Music on Royal Occasions". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Londonderry Air (arr. J. Rutter): Londonderry Air: I Would be True (arr. J. Rutter) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Londonderry Air (arr. J. Rutter): Londonderry Air: I Would be True (arr. J. Rutter) by Traditional, The Cambridge Singers, John Rutter having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicut cervus | The King's Singers | G Major | 1 | 9B | 80 BPM | ||
Holy, holy, holy (Nicaea) [v.2 arr. Willcocks] | John Bacchus Dykes, Reginald Heber, Choir of King's College, Cambridge, Ian Hare, Sir David Willcocks | D Major | 2 | 10B | 73 BPM | ||
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
Seeing the Star | Ben Ponniah, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Minor | 0 | 9A | 56 BPM | ||
Make Me a Channel of Your Peace | Salisbury Cathedral Choir, Simon Lole | D Major | 2 | 10B | 69 BPM | ||
Stella natalis: Lullay | Karl Jenkins, Polyphony, Stephen Layton | A Major | 1 | 11B | 133 BPM | ||
Tomorrow shall be my dancing day | John Gardner, City of London Choir, Mark Williams, Ben Glassberg, Hilary Davan Wetton | D Major | 1 | 10B | 117 BPM | ||
Gruber / Arr. Rutter: Stille Nacht, heilige Nacht | Franz Xaver Gruber, Clare College Singers, Clare College Orchestra, Jeremy Blandford, John Rutter | C Major | 1 | 8B | 59 BPM | ||
I Saw 3 Ships | Traditional, The Cambridge Singers, City of London Sinfonia, John Rutter | E Major | 1 | 12B | 185 BPM | ||
The Sleeping Child | Bob Chilcott, VOCES8 | A♭ Major | 0 | 4B | 142 BPM |
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