- BPM
- 73
- Key
- D♭ Major
- Camelot
- 3B
Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911) - Giuseppe Verdi, Pasquale Amato, Walter B. Rogers, Orchestra and Chorus of the Metropolitan Opera Information
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 13%
- Instrumentalness
- 18%
- Liveness
- 39%
- Loudness
- 62%
- Speechiness
- 10%
- Valence
- 18%
- Popularity
- 0%
- Loudness
- -22.902 dB
Summary
"Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911)" by Giuseppe Verdi, Pasquale Amato, Walter B. Rogers, Orchestra and Chorus of the Metropolitan Opera was released on January 1, 1999. Since Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Pasquale Amato (Recorded 1911 - 1914)". In this album, this song's track order is #9. Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911) BPM
With Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911) by Giuseppe Verdi, Pasquale Amato, Walter B. Rogers, Orchestra and Chorus of the Metropolitan Opera having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Rigoletto: Povero rigoletto!….Cortigiani, vil razza dannata (Recorded 1911) Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | |
 | Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | |
 | Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | |
 | Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | |
 | La forza del destino, Act II, Scene I: Sta bene | Giuseppe Verdi, Tiziano Tassi, Simona Marcello, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Major | 2 | 11B | 77 BPM | |
 | Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | |
 | Verdi: La traviata, Act 1: 'Libiamo ne' lieti calici' (Alfredo, Violetta, Chorus) | Giuseppe Verdi, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 3 | 6B | 107 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | |
 | Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8336067199707031
End: 0.8374383449554443