Joseph Haydn, Roman Hoffstetter, Tomek Nowak Quartet's 'String Quartet No. 17 in F Major, Op. 3 No. 5, Hob. III:17: II. Andante cantabile' came out on 2018. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since String Quartet No. 17 in F Major, Hob. III:17: II. Andante cantabile only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Based on our statistics, String Quartet No. 17 in F Major, Op. 3 No. 5, Hob. III:17: II. Andante cantabile's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 17 in F Major, Op. 3 No. 5, Hob. III:17: II. Andante cantabile by Joseph Haydn, Roman Hoffstetter, Tomek Nowak Quartet having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
子守歌(ブラームス) | イエルク・デームス | F Major | 0 | 7B | 83 BPM | ||
カルメン組曲第2番: II. ハバネラ | Georges Bizet, Barcelona Symphony and Catalonia National Orchestra, Pablo González | G Major | 1 | 9B | 88 BPM | ||
ワルツ 第15番 | Johannes Brahms, アーサー・グリーン | A♭ Major | 0 | 4B | 137 BPM | ||
Berceuse Op. 16 | Gabriel Fauré, Slovak Radio Symphony Orchestra, Keith Clark | D Major | 1 | 10B | 127 BPM | ||
Turkish March (After W.A. Mozart) | Arcadi Volodos, Mao Fujita | A Major | 3 | 11B | 124 BPM | ||
Notebooks for Anna Magdalena Bach: Menuet in G minor, BWV Anh. 114 | Giovanni Umberto Battel | G Major | 0 | 9B | 166 BPM | ||
ドヴォルザーク:チェコ組曲より第2曲 ポルカ | Antonín Dvořák, のだめオーケストラ | A Minor | 1 | 8A | 108 BPM | ||
Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Slovak Philharmonic, Stephen Gunzenhauser | F Minor | 2 | 4A | 146 BPM | ||
Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) | Robert Schumann, Jenő Jandó | G Major | 0 | 9B | 66 BPM |
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