Pamela Howland's 'Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3' came out on October 3, 2010. The duration of Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pamela Howland Plays Chopin, Vol. 2". In this album, this song's track order is #1. Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 by Pamela Howland having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Philadelphia Orchestra, Eugene Ormandy | E Minor | 1 | 9A | 91 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Gymnopédie No. 1 | Erik Satie, Reinbert de Leeuw | G Major | 0 | 9B | 88 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Pachabel's Canon in D, Variation #7 | Serge Mazerand | C Major | 1 | 8B | 102 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Pamela Howland | D♭ Minor | 0 | 12A | 140 BPM |
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