Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3
Pamela Howland
Pamela Howland Plays Chopin, Vol. 2
2:12 October 3, 2010
BPM
71
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 - Pamela Howland Information

Acousticness
100%
Danceability
47%
Energy
2%
Instrumentalness
90%
Liveness
9%
Loudness
53%
Speechiness
5%
Valence
21%
Popularity
Loudness
-28.48 dB

Summary

Pamela Howland's 'Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3' came out on October 3, 2010. The duration of Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pamela Howland Plays Chopin, Vol. 2". In this album, this song's track order is #1. Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 BPM

With Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 by Pamela Howland having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Mazurka No. 41 in C-Sharp Minor, Op. 63 No. 3 Key

This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Fabrizio von Arx, Christian BendaViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Fabrizio von Arx, Christian BendaE♭ Major15B133 BPM
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza by Antonín Dvořák, Czech Philharmonic Orchestra, Libor PešekDvořák: Czech Suite in D Major, Op. 39, B. 93: IV. RomanzaAntonín Dvořák, Czech Philharmonic Orchestra, Libor PešekD Major010B87 BPM
Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Philadelphia Orchestra, Eugene OrmandyVocalise, Op. 34, No. 14Sergei Rachmaninoff, Philadelphia Orchestra, Eugene OrmandyE Minor19A91 BPM
Waldszenen, Op. 82: I. Eintritt im Walde by Robert Schumann, Arcadi VolodosWaldszenen, Op. 82: I. Eintritt im WaldeRobert Schumann, Arcadi VolodosB♭ Major06B113 BPM
Mazurka in C Minor by Mikhail Glinka, Inga FioliaMazurka in C MinorMikhail Glinka, Inga FioliaC Minor05A106 BPM
Gymnopédie No. 1 by Erik Satie, Reinbert de LeeuwGymnopédie No. 1Erik Satie, Reinbert de LeeuwG Major09B88 BPM
Elgar: Salut d'amour by Edward Elgar, Kyung Wha Chung, Kevin KennerElgar: Salut d'amourEdward Elgar, Kyung Wha Chung, Kevin KennerE Major112B79 BPM
Pachabel's Canon in D, Variation #7 by Serge MazerandPachabel's Canon in D, Variation #7Serge MazerandC Major18B102 BPM
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) by Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia OrchestraRimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt)Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia OrchestraB Minor010A146 BPM
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 by Pamela HowlandWaltz No. 7 in C-Sharp Minor, Op. 64 No. 2Pamela HowlandD♭ Minor012A140 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.842156171798706

End: 0.8464629650115967