"Concerto in F major, BWV 978 (from Vivaldi RV 310) - Arr. for harp and orchestra by N.Zabaleta: 2. Largo" by Johann Sebastian Bach, Nicanor Zabaleta, English Chamber Orchestra, Luis Antonio García Navarro was released on November 16, 2020. The duration of Concerto in F major, BWV 978 (from Vivaldi RV 310) - Arr. for harp and orchestra by N.Zabaleta: 2. Largo is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Concerto in F major, BWV 978 (from Vivaldi RV 310) - Arr. for harp and orchestra by N.Zabaleta: 2. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 232 out of 500 in Essence of Bach by Johann Sebastian Bach. Concerto in F major, BWV 978 (from Vivaldi RV 310) - Arr. for harp and orchestra by N.Zabaleta: 2. Largo is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto in F major, BWV 978 (from Vivaldi RV 310) - Arr. for harp and orchestra by N.Zabaleta: 2. Largo by Johann Sebastian Bach, Nicanor Zabaleta, English Chamber Orchestra, Luis Antonio García Navarro is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | G Major | 1 | 9B | 66 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 2 | 12B | 183 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
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