"Keyboard Sonata No. 47 in B Minor, Hob. XVI:32: II. Minuet - Trio - Live" by Joseph Haydn, Grigory Sokolov was released on April 8, 2022. With this song being about 5 minutes long, at 4:31, "Keyboard Sonata No. 47 in B Minor, Hob. XVI:32: II. Minuet - Trio - Live" by Joseph Haydn, Grigory Sokolov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Grigory Sokolov, Franz Schubert, Joseph Haydn's "Grigory Sokolov at Esterházy Palace (Live)" album is number 4 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Keyboard Sonata No. 47 in B Minor, Hob. XVI:32: II. Minuet - Trio - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Keyboard Sonata No. 47 in B Minor, Hob. XVI:32: II. Minuet - Trio - Live by Joseph Haydn, Grigory Sokolov to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes & Fugues, Op. 87: Fugue no.4 in E minor. Adagio (4-voice double fugue) | Dmitri Shostakovich, Alexander Melnikov | D♭ Major | 1 | 3B | 60 BPM | ||
3 Romances, Op. 11: 3. Moderato | Clara Schumann, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 73 BPM | ||
Grande Polonaise in E-Flat Major, Op. 21, J. 59 | Carl Maria von Weber, Michael Endres | E♭ Major | 1 | 5B | 107 BPM | ||
Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Deuxieme livre, Suite en Mi: IV. 2e gigue en rondeau | Jean-Philippe Rameau, Alexander Paley | E Major | 1 | 12B | 134 BPM | ||
Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: II. Presto | Johann Christian Bach, Daniil Trifonov | A Major | 2 | 11B | 67 BPM | ||
Sonatina in G Major, Op. 36 No. 2: III. Allegro | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 105 BPM |
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