On February 13, 2015, the song "Sonata IV in G Major: Sonata IV in G Major: III. Adagio" was released by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier. With Sonata IV in G Major: Sonata IV in G Major: III. Adagio being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Schultzen: Recorder Sonatas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. The popularity of Sonata IV in G Major: Sonata IV in G Major: III. Adagio is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata IV in G Major: Sonata IV in G Major: III. Adagio by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: II. Allegro | Johann Friedrich Fasch, Peter Whelan, Ensemble Marsyas | E Minor | 1 | 9A | 102 BPM | ||
Sonata for Recorder and Continuo in D Minor: II. Largo | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | G Minor | 0 | 6A | 78 BPM | ||
Sonata in A Minor for Violin and Continuo, Op. 1 No. 6: IV. Tempo di Gavotta (From Cupis's Sonata, Op. 1 No. 2) | Jean-Baptiste Cupis, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Handel: Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Minor | 0 | 12A | 65 BPM | ||
Sinfonia No. 1 for Cello & Continuo in D Major | Giovanni Bononcini, Aurata Fonte, Perikli Pite, Miho Kamiya, Giangiacomo Pinardi, Valeria Montanari | D♭ Major | 1 | 3B | 89 BPM | ||
Sonata in D Major for Violin and Continuo, Book V No. 6: III. Gavotta I/II | Jacques Aubert, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, III. Allegro ma non troppo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | E Major | 1 | 12B | 104 BPM | ||
Symphony No. 27 in G Minor: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 1 | 11B | 68 BPM |
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