Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 2 in D Minor: XLVIII. Sarabande II" available on June 30, 2023. The duration of Harpsichord Suite No. 2 in D Minor: XLVIII. Sarabande II is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Harpsichord Suite No. 2 in D Minor: XLVIII. Sarabande II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harpsichord Suite No. 2 in D Minor: XLVIII. Sarabande II is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 2 in D Minor: XLVIII. Sarabande II by Louis Couperin, Massimo Berghella is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hornpipe in E minor, Z T685 | Henry Purcell, Gustav Leonhardt | B♭ Minor | 4 | 3A | 113 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
L'art de toucher le clavecin: No. 1, Prelude in C Major | François Couperin, Andrew Appel | A♭ Minor | 3 | 1A | 119 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: II. Allegro | Jean-François Dandrieu, Le Consort, Justin Taylor | A♭ Minor | 1 | 1A | 73 BPM | ||
Sonates sans basse: Sonata No. 2 in D Major, TWV 40:102: Dolce | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | D Major | 1 | 10B | 126 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: I. Adagio | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Viola da gamba Sonata in A Major, A2:53: II. Allegro assai | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | A♭ Major | 2 | 4B | 116 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM |
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