- BPM
- 61
- Key
- F Major
- Camelot
- 7B
Early One Morning (Arr. J. Kreines) - Percy Grainger, Joseph Kreines, North Texas Wind Symphony, Eugene Migliaro Corporon Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 6%
- Instrumentalness
- 90%
- Liveness
- 10%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -20.235 dB
Summary
"Early One Morning (Arr. J. Kreines)" by Percy Grainger, Joseph Kreines, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2006. The duration of Early One Morning (Arr. J. Kreines) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Early One Morning (Arr. J. Kreines)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 29 in Composer's Collection: Percy Aldridge Grainger by Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon. Early One Morning (Arr. J. Kreines) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Early One Morning (Arr. J. Kreines) BPM
The tempo marking of Early One Morning (Arr. J. Kreines) by Percy Grainger, Joseph Kreines, North Texas Wind Symphony, Eugene Migliaro Corporon is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Early One Morning (Arr. J. Kreines) Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | |
 | Bass Tuba Concerto in F Minor: III. Finale. Rondo all tedesca: Allegro | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | D♭ Major | 2 | 3B | 76 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Bookmarks from Japan: I. Mount Fuji | Julie Giroux, University of North Texas Symphonic Band, Alan C. Sierichs | E♭ Major | 3 | 5B | 73 BPM | |
 | First Suite for Military Band, Op. 28 No. 1: II. Intermezzo | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 1 | 5A | 145 BPM | |
 | English Folk Song Suite: II. Intermezzo (My Bonny Boy) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | C Minor | 1 | 5A | 71 BPM | |
 | Lincolnshire Posy: IV. The Brisk Young Sailor | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 95 BPM | |
 | Symphony No. 4: Measures 570-711 - | David Maslanka, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 2 | 6B | 79 BPM | |
 | Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | |
 | 4 Scottish Dances, Op. 59: No. 1, Pesante | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | C Minor | 2 | 5A | 116 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6924455165863037
End: 0.6999232769012451