"The Bells, Op. 35: 1. Allegro ma non tanto (Silver Bells)" by Sergei Rachmaninoff, Sergej Larin, The Moscow State Chamber Choir, Russian National Orchestra, Mikhail Pletnev was released on January 1, 2001. Since The Bells, Op. 35: 1. Allegro ma non tanto (Silver Bells) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rachmaninov: The Bells / Taneyev: John of Damascus". In this album, this song's track order is #1. Based on our statistics, The Bells, Op. 35: 1. Allegro ma non tanto (Silver Bells)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bells, Op. 35: 1. Allegro ma non tanto (Silver Bells) by Sergei Rachmaninoff, Sergej Larin, The Moscow State Chamber Choir, Russian National Orchestra, Mikhail Pletnev having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Romances, Op. 38: V. The Dream - Musical Moments | Sergei Rachmaninoff, Anna El-Khashem, Holger Groschopp | D Major | 5 | 10B | 140 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Rachmaninov: Piano Concerto No. 4 in G Minor, Op. 40 (Revised version 1941-42): II. Largo | Sergei Rachmaninoff, Alexei Lubimov, Toronto Symphony Orchestra, Saraste, Jukka-Pekka Saraste | C Major | 0 | 8B | 90 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM |
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