François Couperin, Aurèle Nicolet, Christiane Nicolet, Heinz Holliger, Marie-Lise Schüpbach, Thomas Brandis, Chiara Banchini, Josef Ulsamer, Manfred Sax, Christiane Jaccottet's 'Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 10. Air tendre (Lentement)' came out on January 1, 1976. The duration of Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 10. Air tendre (Lentement) is about 3 minutes long, at 3:05. Based on our data, "Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 10. Air tendre (Lentement)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 26 out of 59 in Couperin: Nouveaux Concerts by François Couperin, Thomas Brandis, Heinz Holliger, Aurèle Nicolet, Josef Ulsamer, Laurenzius Strehl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 10. Air tendre (Lentement) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 10. Air tendre (Lentement) by François Couperin, Aurèle Nicolet, Christiane Nicolet, Heinz Holliger, Marie-Lise Schüpbach, Thomas Brandis, Chiara Banchini, Josef Ulsamer, Manfred Sax, Christiane Jaccottet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
La Muse Plantine (19e ordre) | François Couperin, Alexandre Tharaud | D Minor | 1 | 7A | 74 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
Double du Rossignol: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 1 | 11B | 63 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Amit Peled, Eliza Ching | B♭ Major | 0 | 6B | 79 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |
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