William Walton, Richard Hickox, City of London Sinfonia, Richard Baker, Susana Walton's 'Façade. An Entertainment: No. 15, Something Lies Beyond the Scene' came out on September 1, 1990. With Façade. An Entertainment: No. 15, Something Lies Beyond the Scene being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Façade by William Walton, Richard Hickox, City of London Sinfonia, Richard Baker, Susana Walton. The song's track number on the album is #16 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Façade. An Entertainment: No. 15, Something Lies Beyond the Scene is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Façade. An Entertainment: No. 15, Something Lies Beyond the Scene by William Walton, Richard Hickox, City of London Sinfonia, Richard Baker, Susana Walton has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Façade. An Entertainment: No. 15, Something Lies Beyond the Scene being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Little Serenade | Ernest Tomlinson, Pro Arte Orchestra, George Weldon | A Major | 0 | 11B | 142 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Jubilate Deo (Live) | William Walton, Choir of King's College, Cambridge, Tom Pickard, Henry Hawkesworth, Benjamin Sheen, Stephen Cleobury, Daniel Lewis | E♭ Major | 1 | 5B | 82 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
La Fille aux Cheveux de Lin, L. 33 | Claude Debussy, Martin Jones | F♯ Major | 0 | 2B | 110 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |
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