"Old American Songs Set 2: 4. At the river (Arr. Copland)" by Traditional, Aaron Copland, Marilyn Horne, English Chamber Orchestra, Carl Davis was released on January 1, 1996. The duration of Old American Songs Set 2: 4. At the river (Arr. Copland) is about 3 minutes long, at 3:22. Based on our data, "Old American Songs Set 2: 4. At the river (Arr. Copland)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. In terms of popularity, Old American Songs Set 2: 4. At the river (Arr. Copland) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Old American Songs Set 2: 4. At the river (Arr. Copland) by Traditional, Aaron Copland, Marilyn Horne, English Chamber Orchestra, Carl Davis is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miss De Angelis: III. Credo III | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 1 | 11A | 76 BPM | ||
Coronation Te Deum | William Walton, Martin Neary, The Choir Of Westminster Abbey, London Brass, English Chamber Orchestra, Martin Baker | A Major | 1 | 11B | 81 BPM | ||
Pre-Eternal Counsel | Men's Choir of the Valaam Singing Culture Institute | E♭ Minor | 1 | 2A | 140 BPM | ||
Les Chansons Des Roses: I. En Une Seule Fleur | The Singers - Minnesota Choral Artists | D♭ Major | 1 | 3B | 131 BPM | ||
The Day Has Passed | Men's Choir of the Valaam ... | D Major | 1 | 10B | 135 BPM | ||
Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | ||
Exaposteilarion: "The Wise Thief" (choral version) - Maia Aprahamian | Archangel Voices | F Minor | 1 | 4A | 66 BPM | ||
O Great and Most Sacred Pascha | Hieronymos Tragodistes of Cyprus, Cappella Romana | G Minor | 2 | 6A | 82 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
The Shoemaker's Wife. A Toy (P 58) | John Dowland, Paul O'Dette | C Minor | 1 | 5A | 138 BPM |
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