"Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso" by Ludwig van Beethoven, Budapest Philharmonic Orchestra, Stephen Pomerantz was released on 1998. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso appears to be safe for all ages as it is not explicit. The song is number 2 out of 9 in Beethoven: Symphonies Nos. 6 & 7 by Ludwig van Beethoven, Budapest Philharmonic Orchestra, Stephen Pomerantz. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso by Ludwig van Beethoven, Budapest Philharmonic Orchestra, Stephen Pomerantz is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Centone di sonate, Op. 64, MS 112: Sonata No. 1 in A Minor: II. Rondoncino | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 2 | 11B | 122 BPM | ||
Coriolan, Op. 62: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Nikolai Lugansky | D♭ Major | 0 | 3B | 130 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM |
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