Megaron Orchestra's 'Grieg: Holberg Suite, Op.40: V. Rigaudin: Allegro con brio' came out on January 1, 2011. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #54. Based on our statistics, Grieg: Holberg Suite, Op.40: V. Rigaudin: Allegro con brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Grieg: Holberg Suite, Op.40: V. Rigaudin: Allegro con brio by Megaron Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ataturk Celesta | Henri Seroka | C Major | 0 | 8B | 107 BPM | ||
Amélie Suite (J'y suis jamais allé) | The French Touch | E Minor | 4 | 9A | 106 BPM | ||
Rodrigo: Concierto de Aranjuez: II. Adagio (Excerpt, Opening) | Joaquín Rodrigo, Julian Bream, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B Minor | 0 | 10A | 144 BPM | ||
The Pearl Fishers, WD 13: Je crois entendre encore (Arr. for Violin & Orchestra) | Georges Bizet, Joshua Bell, Michael Stern, Orchestra of St. Luke's | A Minor | 1 | 8A | 72 BPM | ||
Liszt: Ständchen, S. 560/7 (After Franz Schubert) | Franz Liszt, Fazıl Say | D Major | 0 | 10B | 78 BPM | ||
Solitude Waltz | Mehrdad Mehdi, Aso Kohzadi | E Minor | 4 | 9A | 184 BPM | ||
Tamburello | Eric Badanti | F Minor | 0 | 4A | 93 BPM | ||
To Vals Tou Gamou - Remastered | Orchestra Eleni Karaindrou | B Minor | 2 | 10A | 157 BPM | ||
Eternity And A Day: 2. By The Sea | Eleni Karaindrou | B♭ Minor | 0 | 3A | 162 BPM | ||
Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM |
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