"Concerto for Piano and Orchestra No. 2 In C Minor, Op. 18: II. Adagio Sostenuto" by Sergei Rachmaninoff, Hélène Grimaud, ヘスス・ロペス=コボス, ロイヤル・フィルハーモニー管弦楽団 was released on January 1, 2009. Concerto for Piano and Orchestra No. 2 In C Minor, Op. 18: II. Adagio Sostenuto appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rachmaninov: Piano Concerto No. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Concerto for Piano and Orchestra No. 2 In C Minor, Op. 18: II. Adagio Sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Piano and Orchestra No. 2 In C Minor, Op. 18: II. Adagio Sostenuto by Sergei Rachmaninoff, Hélène Grimaud, ヘスス・ロペス=コボス, ロイヤル・フィルハーモニー管弦楽団 having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Overture | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Introduction et Rondo Capriccioso, Op.28 | Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 93 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Chopin: Nocturne No. 19 in E Minor, Op. Posth. 72 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | E Minor | 0 | 9A | 91 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Romeo and Juliet, Op. 64: Act I: Balcony Scene | Sergei Prokofiev, Ukraine National Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 79 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |
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