Claude Balbastre, Olivier Baumont made "Quatrième suite de Noëls: Laissés paître vos bêtes, marqué, légèrement" available on November 1, 2000. The duration of Quatrième suite de Noëls: Laissés paître vos bêtes, marqué, légèrement is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Quatrième suite de Noëls: Laissés paître vos bêtes, marqué, légèrement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 28 in Balbastre: Quatre Suites de Noëls (Orgue Moucherel-Montbrun de Cintegabelle) by Claude Balbastre, Olivier Baumont. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Quatrième suite de Noëls: Laissés paître vos bêtes, marqué, légèrement is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Quatrième suite de Noëls: Laissés paître vos bêtes, marqué, légèrement by Claude Balbastre, Olivier Baumont is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio | Anna Bon, Lisa Gambacciani, Monica Finco, Svetlana Trushka, Roberto Scarpa Meylougan | F♯ Minor | 0 | 11A | 105 BPM | ||
Scarlatti, D: Keyboard Sonata in E Major, Kk. 380 | Domenico Scarlatti, Scott Ross | A Major | 5 | 11B | 106 BPM | ||
Grand jeux | Claude Balbastre, Françoise Levéchin-Gangloff | A♭ Major | 1 | 4B | 89 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 1 | 3A | 110 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM | ||
Concerto VI in B Minor: I. Largo | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Phaëton, LWV 61: Act II, Scene 5 Petit air pour les mesmes. Gay | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | A Major | 2 | 11B | 103 BPM |
Section: 0.5914528369903564
End: 0.5955991744995117