"Ariel (Shakespeare: No. 4. You are three men of sin" by Frank Martin, Charlotta Hildor, Pro Musica Chamber Choir, Jan Yngwe was released on January 1, 2000. The duration of Ariel (Shakespeare: No. 4. You are three men of sin is about 3 minutes long, at 3:27. Based on our data, "Ariel (Shakespeare: No. 4. You are three men of sin" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Frank Martin, Jan Yngwe's "Martin: Songs of Ariel, Ode a la musique & Mass for Double Choir" album is number 4 out of 11. On top of that, Sweden appears to be the country where this track was created. Ariel (Shakespeare: No. 4. You are three men of sin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariel (Shakespeare: No. 4. You are three men of sin by Frank Martin, Charlotta Hildor, Pro Musica Chamber Choir, Jan Yngwe to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Eric Whitacre: Lux aurumque | Eric Whitacre, Schola Cantorum, Tone Bianca Sparre Dahl | D♭ Minor | 1 | 12A | 69 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM | ||
Martin : Concerto for 7 Wind Instruments : III Allegro vivace | Frank Martin, Armin Jordan, Orchestre de la Suisse Romande | E♭ Major | 1 | 5B | 116 BPM |
Section: 0.5880091190338135
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