"Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel I, "Yes! Clunes! You're here!"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Henry Choo, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel I, "Yes! Clunes! You're here!" is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 19 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel I, "Yes! Clunes! You're here!" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel I, "Yes! Clunes! You're here!" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Henry Choo, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade: No. 2. La Flûte enchantée | Maurice Ravel, Isabelle Druet, Orchestre National De Lyon, Leonard Slatkin | F♯ Minor | 0 | 11A | 175 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 16, Allegretto | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Symphony No. 4, "To the memory of Mahinarangi Tocker": V. No sky in her day | Ross Harris, Robert Ashworth, Auckland Philharmonia Orchestra, Brett Dean | C Major | 0 | 8B | 77 BPM |
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