"Esclarmonde: Pastorale" by Jules Massenet, Munich Radio Orchestra, Herve Niquet was released on March 15, 2024. With Esclarmonde: Pastorale being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Paysage". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Esclarmonde: Pastorale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Esclarmonde: Pastorale by Jules Massenet, Munich Radio Orchestra, Herve Niquet having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlett in the Mist: II. Leaving Home | Milo Paulus | F♯ Major | 3 | 2B | 83 BPM | ||
Sonate e Partite: No. 24, Allegro (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
New Dawn Rising | Yohanan Cinnamon, Orpheus Chamber Orchestra, Haim Tukachinsky | B♭ Major | 1 | 6B | 103 BPM | ||
Elijah, Op. 70, MWV A 25 (Excerpts): No. 32, Wer bis an das Ende beharrt | Felix Mendelssohn, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM | ||
Manon: 'Adieu, notre petit table' | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | E♭ Major | 1 | 5B | 156 BPM | ||
The Little Prince: On My Planet (Arr. for Violin and Orchestra by James Welleland) | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | F Minor | 2 | 4A | 133 BPM | ||
Das Wirtshaus im Spessart (From "Das Wirtshaus im Spessart") [Arr. U. Sommerlatte for Orchestra] | Franz Grothe, Munich Radio Orchestra, Ernst Theis | C Major | 3 | 8B | 107 BPM | ||
Aida: Aida, Act I: Ritorna vincitor | Giuseppe Verdi, Mirella Freni, Munich Radio Orchestra, Vladimir Ghiaurov | A♭ Major | 1 | 4B | 167 BPM | ||
Fire Of | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | D Major | 2 | 10B | 80 BPM |
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