IndianRaga, Rishabh Iyer, Vivek Pandya's 'Madhya Laya Gat - Jhinjhoti - Jhap Taal' came out on July 9, 2020. The duration of Madhya Laya Gat - Jhinjhoti - Jhap Taal is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Madhya Laya Gat - Jhinjhoti - Jhap Taal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in IndianRaga's "Hindustani Classical by Talented Kids, Vol. 1" album is number 12 out of 14. On top of that, India appears to be the country where this track was created. In terms of popularity, Madhya Laya Gat - Jhinjhoti - Jhap Taal is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Madhya Laya Gat - Jhinjhoti - Jhap Taal by IndianRaga, Rishabh Iyer, Vivek Pandya to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kirunage (From "PS-2") [Kannada] | A.R. Rahman, Jayant Kaikini, Rakshita Suresh | A Major | 4 | 11B | 140 BPM | ||
Mora Saiyyan (Nadiya Bairi Bhayi) - Desh - Teen taal | Anirudh Sharma, IndianRaga, Mahesh Raghvan, Vaishnavi Kondapalli | B Major | 6 | 1B | 180 BPM | ||
Mi Radhika - Madhukauns - Ek Tala | Aditya Sriram, IndianRaga, Lalit Subramaniam, Rucha Jambhekar, Souryadeep Bhattacharya, Sumhith Veda Aradhyula | G Major | 10 | 9B | 162 BPM | ||
Raghu Vamsa - Kadhanakuthuhalam - Adi Tala - Online Raga Jam | Adithya Ganesh, Ananya Krishanan, IndianRaga, Myan Sudharsanan, Samyukta Kaushik, Samyuktha Krishnan | G Major | 5 | 9B | 95 BPM | ||
Namma Tulunadu | Siddhartha Belmannu | E Major | 6 | 12B | 114 BPM | ||
Pop Swarajathi - Raravenu - Bilahari - Adi talam | Alapana Bagirath, Arjun Ravi Shankar, IndianRaga, KDB Madhavi, Mahesh Raghvan, Swaminath Jayaraman, Vishnu Priyaa | B Major | 7 | 1B | 140 BPM | ||
Krishna Theme (Flute) | Paras Nath | D♭ Major | 3 | 3B | 99 BPM | ||
Dial Tone Raga - Reetigowla - Eka talam - Remix | Adithya Rajan, Anirudh Sharma, IndianRaga, Jaydon Lewis, Sai Prashanth Harihar, Swaminath Jayaraman | A♭ Major | 7 | 4B | 168 BPM | ||
Atma Rama Ananda Ramana | Suprabha KV | D Major | 6 | 10B | 110 BPM | ||
Ore Oru Raja - From "Bahubali 2 - The Conclusion" | Shweta Mohan, Vijay Yesudas | F Minor | 7 | 4A | 138 BPM |
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