"Concerto In Slendro: II. Molto adagio" by Lou Harrison, Jerome Neff, Daniel Kobialka, James Barbagallo, Machiko Kobialka, Patricia Jennerjohn, Don Marconi, Robert Hughes was released on January 1, 2006. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lou Harrison, Gamelan Sekar Kembar, Paul Price's "Lou Harrison: Chamber & Gamelan Works" album is number 2 out of 14. Concerto In Slendro: II. Molto adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto In Slendro: II. Molto adagio by Lou Harrison, Jerome Neff, Daniel Kobialka, James Barbagallo, Machiko Kobialka, Patricia Jennerjohn, Don Marconi, Robert Hughes to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie I | Guillaume de Machaut, Kronos Quartet | C Major | 1 | 8B | 103 BPM | ||
Growhouse | HimIsYou | E♭ Major | 0 | 5B | 104 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Six Encores: Erdenklavier | Luciano Berio, Andrea Lucchesini | C Minor | 0 | 5A | 175 BPM | ||
Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
Eternal Paradox | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
Da Pacem Domine | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 77 BPM | ||
Flowers Dantini | Deutsches Kammerorchester Berlin, Wind Quartet | C Major | 0 | 8B | 65 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM |
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