Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale made "Armide: Prologue: Ouverture" available on 1993. The duration of Armide: Prologue: Ouverture is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Armide: Prologue: Ouverture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 1 out of 39. In terms of popularity, Armide: Prologue: Ouverture is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Armide: Prologue: Ouverture by Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Battalia À 10: Sonata (Biber) | Jordi Savall | A Minor | 2 | 8A | 128 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: II. Allegro | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 118 BPM | ||
Trio Sonata in D Major, Op. 3 No. 2: II. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Chiaro risplender suole | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A♭ Minor | 1 | 1A | 110 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Ardita Zanzaretta | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | F♯ Major | 1 | 2B | 68 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": I. Presto | Antonio Vivaldi, The English Concert, Trevor Pinnock | F Minor | 1 | 4A | 62 BPM |
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