"Hymn for Diana - Live" by Joseph Turin, JBBFO Jugend Brass Band Forum Ostschweiz, Garry Cutt was released on November 20, 2021. With this song being about 5 minutes long, at 5:29, "Hymn for Diana - Live" by Joseph Turin, JBBFO Jugend Brass Band Forum Ostschweiz, Garry Cutt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in JBBFO Jugend Brass Band Forum Ostschweiz, Garry Cutt, Sebastian Rosenberg, Tobias Lang's "JBBFO 2021 (Live Concert)" album is number 2 out of 13. On top of that, Switzerland appears to be the country where this track was created. Hymn for Diana - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hymn for Diana - Live by Joseph Turin, JBBFO Jugend Brass Band Forum Ostschweiz, Garry Cutt to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cityscapes: I. Rush Hour - World Premiere Recording | Tromba Mundi | C Minor | 2 | 5A | 167 BPM | ||
Quintet No. 3 in D-Flat Major, Op. 11: III. Andante | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 73 BPM | ||
Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
The Dialogue From "Close Encounters Of The Third Kind" | John Williams, Boston Pops Orchestra | A♭ Major | 2 | 4B | 152 BPM | ||
Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 4, Raggi, dov'è il mio bene?, SV 4 | Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann | E Minor | 0 | 9A | 69 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): IV | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai) | Kurt Weill, Members Of The London Symphony Orchestra, Michael Tilson Thomas | A Minor | 1 | 8A | 177 BPM | ||
Suite for Unaccompanied Tuba: I. Intrada: Alla marcia | Walter S. Hartley, David Zerkel | D Major | 1 | 10B | 144 BPM | ||
Nocturne in Red I | Anden i Underjorden, Christian Lindberg, Roland Pöntinen | C Major | 0 | 8B | 74 BPM |
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