"Charpentier : Médée, Act 4: "Tout resent le pouvoir" (Chorus)" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants was released on March 28, 1995. The duration of Charpentier : Médée, Act 4: "Tout resent le pouvoir" (Chorus) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Charpentier : Médée, Act 4: "Tout resent le pouvoir" (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 54 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Charpentier : Médée, Act 4: "Tout resent le pouvoir" (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charpentier : Médée, Act 4: "Tout resent le pouvoir" (Chorus) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Charpentier : Médée, Act 1: Rondeau des Corinthiens | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | A Major | 2 | 11B | 136 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Médée, H. 491, Act II: Air et récit. "Vous voyez à quoi j'aspire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Judith van Wanroij, David Witczak, Hélène Carpentier | F Major | 2 | 7B | 68 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Le Malade imaginaire, H. 495, Troisième intermède: Air des révérences | Marc-Antoine Charpentier, Jean Dautremay, Jean-François Gardeil, Howard Crook, Les Arts Florissants, William Christie | B♭ Major | 2 | 6B | 116 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM |
Section: 0.6169040203094482
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