When I Have Sung My Songs - Ernest Charles, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman Information

Acousticness: 97%
Danceability: 17%
Energy: 14%
Instrumentalness: 26%
Liveness: 10%
Loudness: 71%
Speechiness: 4%
Valence: 5%
Popularity: 8%
Loudness: -17.699 dB

Summary

"When I Have Sung My Songs" by Ernest Charles, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman was released on April 13, 2018. The duration of When I Have Sung My Songs is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. When I Have Sung My Songs's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Adelaide Chamber Singers's "Home" album is number 10 out of 21. On top of that, Australia appears to be the country where this track was created. When I Have Sung My Songs is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

When I Have Sung My Songs BPM

We consider the tempo marking of When I Have Sung My Songs by Ernest Charles, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

When I Have Sung My Songs Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus)	Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir	C Major	3	8B	134 BPM
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!"	Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner	A Minor	0	8A	111 BPM
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret)	Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde	B Minor	1	10A	128 BPM
Poèmes pour Mi, Deuxième Livre: No. 4, Le collier	Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou	A Major	2	11B	80 BPM
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon	Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor	G Major	2	9B	103 BPM
Mefistofele, Act I, Scene 2: Dai campi, dai prati	Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra	F Major	1	7B	170 BPM
Die Nacht, Op.10, No.3	Richard Strauss, Barbara Bonney, Malcolm Martineau	D Major	0	10B	174 BPM
The Merry Widow / Act 2: Vilia Song: Let's all now waken memories	Franz Lehár, Dame Joan Sutherland, Werner Krenn, John Brecknock, National Philharmonic Orchestra, Richard Bonynge	F♯ Major	1	2B	82 BPM
The Folly of Desire: Leda and the Swan	Brad Mehldau, Ian Bostridge	E Major	1	12B	70 BPM
Bella porta di rubini	Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli	F Major	1	7B	118 BPM

ISRC: AUUM71800218
Label: L-M Records/RCA Records

Section: 0.9751389026641846

End: 0.9799990653991699