Billy Boy Arnold made "Come See Me Early In The Morning - Take 2" available on June 1, 1966. With Come See Me Early In The Morning - Take 2 being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Billy Boy Arnold's "Goin' To Chicago" album is number 13 out of 14. In terms of popularity, Come See Me Early In The Morning - Take 2 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Come See Me Early In The Morning - Take 2 by Billy Boy Arnold to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eyeballin' | Lonnie Brooks | C Major | 5 | 8B | 121 BPM | ||
One of These Days | Slim Harpo | B♭ Major | 9 | 6B | 122 BPM | ||
Spoonful | Willie Dixon | F Major | 4 | 7B | 118 BPM | ||
Eyesight to the Blind | Steve Bailey & The Blue Flames | D Major | 7 | 10B | 110 BPM | ||
Collector Man Blues | Billy Boy Arnold | B♭ Major | 3 | 6B | 209 BPM | ||
I'm Torn Down | Freddy King | A Minor | 4 | 8A | 131 BPM | ||
The Bait In The Snare | Nick Moss Band, Dennis Gruenling | G Minor | 9 | 6A | 163 BPM | ||
Taylor's Rock | Hound Dog Taylor | E Major | 6 | 12B | 166 BPM | ||
Blues All Day Long (Blues Leave Me Alone) - Single Version | Jimmy Rogers | A Major | 6 | 11B | 69 BPM | ||
Blues Ain't Nothin' | Johnny Copeland | B♭ Minor | 5 | 3A | 172 BPM |
Section: 0.48619937896728516
End: 0.4922516345977783