Nikolai Rimsky-Korsakov, Vladimir Galusin, Galina Gorchakova, Mariinsky Orchestra, Valery Gergiev's 'The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 2: Otchego "ne day Bog", Grishen'ka?' came out on January 1, 1999. The duration of The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 2: Otchego "ne day Bog", Grishen'ka? is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 2: Otchego "ne day Bog", Grishen'ka?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 76 in the song's album "Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Netherlands. The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 2: Otchego "ne day Bog", Grishen'ka? is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 2: Otchego "ne day Bog", Grishen'ka? by Nikolai Rimsky-Korsakov, Vladimir Galusin, Galina Gorchakova, Mariinsky Orchestra, Valery Gergiev having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM |
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