Giovanni Paisiello, Giuseppe Cacciapaglia, Orchestra Ico della Magna Grecia, Francesca De Giorgi, Giovanni Di Stefano made "I zingari in fiera, Act II: Act II: Recitative: Dove sta il sior Pandolfo? (Cecca, Barbadoro)" available on November 1, 2014. With I zingari in fiera, Act II: Act II: Recitative: Dove sta il sior Pandolfo? (Cecca, Barbadoro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Paisiello: I zingari in fiera (The Fair Gypsies)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. I zingari in fiera, Act II: Act II: Recitative: Dove sta il sior Pandolfo? (Cecca, Barbadoro) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I zingari in fiera, Act II: Act II: Recitative: Dove sta il sior Pandolfo? (Cecca, Barbadoro) by Giovanni Paisiello, Giuseppe Cacciapaglia, Orchestra Ico della Magna Grecia, Francesca De Giorgi, Giovanni Di Stefano having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major - Arr. Benjamin: 3. Siciliana | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | A Minor | 0 | 8A | 169 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Viola Concerto in C Major: I. Allegro moderato | Jan Krtitel Vanhal, Prague Chamber Orchestra, Lubomír Malý | C Major | 1 | 8B | 123 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
La scala di seta: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | C Major | 1 | 8B | 135 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | C Minor | 0 | 5A | 86 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM |
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