Thomas Arne, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep' came out on January 1, 1970. The duration of Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Robert Tear sings Handel, Arne & Boyce". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep by Thomas Arne, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liberty Bell | The Band of the Corps of Royal Engineers | F Major | 5 | 7B | 117 BPM | ||
Eternal Father/Sunset | John Bacchus Dykes, Arthur Green, The Coldstream Guards Band | B♭ Major | 2 | 6B | 128 BPM | ||
Israel - Israel (Hatiqvah) Himno Nacionales Nationale Hymne National Anthem | U.S.N.B. | D Minor | 3 | 7A | 69 BPM | ||
Italy [Inno Di Mameli (Mameli's Hymn), "Italian Brother, Italy Has Awakened…"] | Slovak Radio Symphony Orchestra, Peter Breiner | B♭ Major | 2 | 6B | 107 BPM | ||
Waterloo: Andante eroico - Tempo di Valzer - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | C Major | 2 | 8B | 67 BPM | ||
Waterloo: Andante alla marcia - Mosso, non troppo - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | D Minor | 3 | 7A | 129 BPM | ||
Royal Air Force March Past | Central Band Of The Royal Air Force | C Minor | 3 | 5A | 116 BPM | ||
The Marines' Hymn | 38th Army Band | B♭ Major | 6 | 6B | 85 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM | ||
Britannic Salute | The Band of Her Majesty's Royal Marines Commander-in-Chief Fleet | F Major | 4 | 7B | 94 BPM |
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