"Nedudim (Wanderings): II. — - Live" by Gilad Hochman, Alon Sariel, Deutsches Kammerorchester Berlin, Gil Raveh was released on March 3, 2017. With this song being about 5 minutes long, at 5:00, "Nedudim (Wanderings): II. — - Live" by Gilad Hochman, Alon Sariel, Deutsches Kammerorchester Berlin, Gil Raveh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Neue Meister Live in Berlin". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Nedudim (Wanderings): II. — - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nedudim (Wanderings): II. — - Live by Gilad Hochman, Alon Sariel, Deutsches Kammerorchester Berlin, Gil Raveh having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Haze Of Mania | Eleni Karaindrou | A Minor | 0 | 8A | 85 BPM | ||
Canon of Seven | G. I. Gurdjieff, Thomas de Hartmann, Alessandra Celletti | B♭ Minor | 1 | 3A | 65 BPM | ||
Fratres | Arvo Pärt, Kronos Quartet | C Minor | 0 | 5A | 133 BPM | ||
The Temporary Normal | Jakob Lindhagen | E♭ Minor | 1 | 2A | 69 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
Afterward | mark thirlwell, Anon Miller | E Minor | 3 | 9A | 135 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation VII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 0 | 7B | 53 BPM | ||
Tzigane Nocturne | Mitar Popescu | D♭ Minor | 0 | 12A | 99 BPM | ||
Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM |
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