Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride's '21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 16 in G Minor' came out on July 1, 2016. The duration of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 16 in G Minor is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 16 in G Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 24 in Brahms: Violin Concerto in D Major & 21 Hungarian Dances by Johannes Brahms, Joseph Joachim, Baiba Skride, Sakari Oramo, Lauma Skride. 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 16 in G Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 16 in G Minor by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 4 in B Minor (original in F Minor) | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | B Minor | 1 | 10A | 103 BPM | ||
Schubert - Symphony in C Major (arr. of Sonata for Piano 4 hands in C Major, Op. 140, D. 812, "Grand Duo"): IV. Allegro vivace | Franz Schubert, Joseph Joachim, Budapest Failoni Chamber Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 117 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E♭ Major | 0 | 5B | 107 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Concerto for Violin & Viola with Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, Yuri Bashmet, Neeme Järvi | E Minor | 1 | 9A | 90 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
Serenade in C Major, Op. 10: III. Scherzo: Vivace | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | E Major | 0 | 12B | 97 BPM |
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