Carol Hall, Delores Hall, Lisa Brown, Donna King, Jan Merchant, Louise Quick-Bowen, Debra Zalkind, Becky Gelke, Pamela Blair, Joan Ellis, Jay Bursky, James Rich, Paul Ukena Jr., Michael Scott, Marta Sanders, Carol Chambers made "Twenty Four Hours Of Lovin' - The Best Little Whorehouse In Texas/1978 Original Broadway Cast/Remastered" available on January 1, 1978. With this song being about 5 minutes long, at 4:32, "Twenty Four Hours Of Lovin' - The Best Little Whorehouse In Texas/1978 Original Broadway Cast/Remastered" by Carol Hall, Delores Hall, Lisa Brown, Donna King, Jan Merchant, Louise Quick-Bowen, Debra Zalkind, Becky Gelke, Pamela Blair, Joan Ellis, Jay Bursky, James Rich, Paul Ukena Jr., Michael Scott, Marta Sanders, Carol Chambers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 15 in Best Little Whorehouse In Texas by Carol Hall, Various Artists. Twenty Four Hours Of Lovin' - The Best Little Whorehouse In Texas/1978 Original Broadway Cast/Remastered is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Twenty Four Hours Of Lovin' - The Best Little Whorehouse In Texas/1978 Original Broadway Cast/Remastered by Carol Hall, Delores Hall, Lisa Brown, Donna King, Jan Merchant, Louise Quick-Bowen, Debra Zalkind, Becky Gelke, Pamela Blair, Joan Ellis, Jay Bursky, James Rich, Paul Ukena Jr., Michael Scott, Marta Sanders, Carol Chambers is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Telephone Hour | Bobby Rydell, Bye Bye Birdie Ensemble | G Major | 6 | 9B | 127 BPM | ||
Roxie | Gwen Verdon, Chicago Ensemble | D♭ Major | 3 | 3B | 131 BPM | ||
If I Were a Rich Man | Zero Mostel | D♭ Major | 2 | 3B | 142 BPM | ||
All I Do Is Dream of You | Debbie Reynolds | B♭ Major | 5 | 6B | 121 BPM | ||
1776: But, Mr. Adams | Sherman Edwards, William Daniels, Rex Everhart, David Vosburgh, Henry Le Clair, Ken Howard, Peter Howard | F Major | 3 | 7B | 128 BPM | ||
Big, Blonde and Beautiful | Queen Latifah | C Minor | 8 | 5A | 102 BPM | ||
Goodnight and Thank You | Antonio Banderas, Madonna | F Major | 6 | 7B | 74 BPM | ||
The Ceiling Song | Carol Hall | C Major | 2 | 8B | 88 BPM | ||
The Farmer And The Cowman | Sidney Livingstone, Maureen Lipman, Hugh Jackman, Jimmy Johnston, Vicki Simon, Gavin Lee, Oklahoma! 1998 National Theatre Cast Recording Ensemble | F Major | 5 | 7B | 138 BPM | ||
Cocked Eyed Optomist (From "South Pacific") | Mitzi Gaynor | E Major | 4 | 12B | 104 BPM |
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