香坂みゆき made "レイラ" available on October 25, 1982. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in CRY BABY by 香坂みゆき. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, レイラ's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of レイラ by 香坂みゆき is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
涙もろいから | Mako Ishino | E Major | 6 | 12B | 135 BPM | ||
青い風のビーチサイド | Noriko Matsumoto | G Major | 7 | 9B | 132 BPM | ||
Season | 門あさ美 | A♭ Major | 3 | 4B | 81 BPM | ||
バージニア・ラプソディ | Iyo Matsumoto | A Major | 7 | 11B | 98 BPM | ||
Hanbun Fushigi | CoCo | B Major | 7 | 1B | 130 BPM | ||
アクアマリンのままでいて - Single Version; 2022 Remaster | Carlos Toshiki And Omega Tribe | E♭ Major | 1 | 5B | 105 BPM | ||
さよならと言われて | Noriko Matsumoto | B♭ Major | 5 | 6B | 134 BPM | ||
雨の日の映画館 | Naoko Ken | B Minor | 3 | 10A | 98 BPM | ||
OFFICE DATE | Hitomi Tohyama | A♭ Major | 6 | 4B | 125 BPM | ||
好きじゃないけど愛してる | Marina Watanabe | B♭ Major | 6 | 6B | 100 BPM |
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