Württembergische Philharmonie Reutlingen, Salvador Mas-Conde's 'The Three Cornered Hat ( " El Sombrero de Tres Picos " ): IX. Final Dance (Jota)' came out on 1990. Since The Three Cornered Hat ( " El Sombrero de Tres Picos " ): IX. Final Dance (Jota) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Schmalfuss, Vienna Radio Symphony Orchestra, Milan Horvath's "Music For The Millions Vol. 6 - Debussy / De Falla" album is number 12 out of 12. On top of that, Germany appears to be the country where this track was created. The Three Cornered Hat ( " El Sombrero de Tres Picos " ): IX. Final Dance (Jota) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Three Cornered Hat ( " El Sombrero de Tres Picos " ): IX. Final Dance (Jota) by Württembergische Philharmonie Reutlingen, Salvador Mas-Conde to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fiesta criolla: II. Canción triste | Manuel Gomez Carrillo, Gabriel Castagna, Württembergische Philharmonie Reutlingen | G Minor | 0 | 6A | 71 BPM | ||
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro assai: "Freude, Freude!" | Wolfgang Sawallisch, Peter Seiffert, Chor des Städt. Musikvereins zu Düsseldorf, Margaret Price, Marjana Lipovsek, Concertgebouworkest, Jan-Hendrik Rootering | D Major | 2 | 10B | 70 BPM | ||
Symphony No. 1 in D Major, Op. 16: I. Allegro vivace, non troppo | Giovanni Sgambati, Württembergische Philharmonie Reutlingen, Ola Rudner | F♯ Major | 0 | 2B | 82 BPM | ||
Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Transition_Corral Nocturne | Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra | C Major | 0 | 8B | 83 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 2 in E-Flat Major: III. Andante con moto | Giovanni Sgambati, Württembergische Philharmonie Reutlingen, Ola Rudner | C Major | 2 | 8B | 131 BPM | ||
交響曲 第40番 K.550~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 2. Adagio | Johann Sebastian Bach, Chamber Orchestra of Europe | D Minor | 1 | 7A | 139 BPM |
Section: 0.6579887866973877
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