Heitor Villa-Lobos, Norbert Kraft's '5 Preludes: No. 3 in A Minor' came out on October 20, 2000. The duration of 5 Preludes: No. 3 in A Minor is about 3 minutes long, at 3:05. Based on our data, "5 Preludes: No. 3 in A Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Villa-Lobos: Music for Solo Guitar (Complete) by Heitor Villa-Lobos, Norbert Kraft. The song's track number on the album is #21 out of 23 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. 5 Preludes: No. 3 in A Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Preludes: No. 3 in A Minor by Heitor Villa-Lobos, Norbert Kraft has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 5 Preludes: No. 3 in A Minor being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 103 BPM | ||
Schumann: Fantasiestücke Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Minor | 0 | 8A | 138 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
12 Estudos, W235: II. Allegro - arpejos | Heitor Villa-Lobos, Mickael Viegas | E Major | 3 | 12B | 79 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM |
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