Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca) - Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe Information

Acousticness: 98%
Danceability: 34%
Energy: 9%
Instrumentalness: 90%
Liveness: 7%
Loudness: 63%
Speechiness: 3%
Valence: 23%
Popularity: 4%
Loudness: -22.359 dB

Summary

Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe's 'Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca)' came out on April 22, 2013. Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca) is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Shostakovich: Cello Concerto No. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca) BPM

With Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca) by Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza (Attacca) Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato	Ludwig van Beethoven, Daniel Barenboim	F♯ Minor	1	11A	157 BPM
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo	Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki	C Major	0	8B	96 BPM
Capriccio brillant, Op. 22: Andante	Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra	B Major	0	1B	91 BPM
Meditation: Méditation from Thaïs	Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding	E Minor	1	9A	89 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	A Minor	0	8A	76 BPM
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer	Niccolò Paganini, Scott St. John, Simon Wynberg	A Minor	2	8A	147 BPM
Rage Over A Lost Penny, Op. 129	Valentina Lisitsa	G Major	2	9B	80 BPM
String Quartet No.2 in D Major	Alexander Borodin, Borodin Quartet	D Major	1	10B	174 BPM

ISRC: FRZ141205030
Label: L-M Records/RCA Records

Section: 0.6472573280334473

End: 0.65252685546875