Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace
Johann Sebastian Bach, Paul Tortelier, Robert Veyron-Lacroix
Work - Bach
5:22 January 18, 2021
BPM
88
Key
C Minor
Camelot
5A

Embed

Share Link

Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace - Johann Sebastian Bach, Paul Tortelier, Robert Veyron-Lacroix Information

Acousticness
97%
Danceability
30%
Energy
33%
Instrumentalness
68%
Liveness
10%
Loudness
73%
Speechiness
4%
Valence
58%
Popularity
Loudness
-15.926 dB

Summary

Johann Sebastian Bach, Paul Tortelier, Robert Veyron-Lacroix made "Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace" available on January 18, 2021. With this song being about 5 minutes long, at 5:22, "Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace" by Johann Sebastian Bach, Paul Tortelier, Robert Veyron-Lacroix is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #16 out of 250 tracks. Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace BPM

Since Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace by Johann Sebastian Bach, Paul Tortelier, Robert Veyron-Lacroix has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat MajorJohannes Brahms, Idil BiretA♭ Minor31A111 BPM
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro by Carl Maria von Weber, Charles Neidich, Orpheus Chamber OrchestraConcertino for Clarinet and Orchestra in E-Flat, Op. 26: AllegroCarl Maria von Weber, Charles Neidich, Orpheus Chamber OrchestraE♭ Major15B157 BPM
Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Arthur RubinsteinNocturnes, Op. 27: No. 2 in D-Flat MajorFrédéric Chopin, Arthur RubinsteinD♭ Major03B77 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichOde for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raiseGeorge Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichA♭ Minor01A96 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Concerto Armonico No. 1 in G Major: Grave by Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin MallonConcerto Armonico No. 1 in G Major: GraveUnico Wilhelm van Wassenaer, Aradia Ensemble, Kevin MallonF♯ Major12B63 BPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro by Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton KoopmanConcerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. AllegroAntonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton KoopmanA Major211B114 BPM
Bach, JS / Orch Mahler: Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Orch. Mahler) by Johann Sebastian Bach, Camille Berthollet, Julie Berthollet, Grégoire Dubruel, Mathieu Herzog, Rémi RièreBach, JS / Orch Mahler: Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Orch. Mahler)Johann Sebastian Bach, Camille Berthollet, Julie Berthollet, Grégoire Dubruel, Mathieu Herzog, Rémi RièreD Major110B137 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6341249942779541

End: 0.637657880783081