- BPM
- 135
- Key
- A♭ Major
- Camelot
- 4B
Barber: Despite and Still, Op. 41: IV. "Solitary Hotel" - Samuel Barber, Thomas Allen, Roger Vignoles Information
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 3%
- Instrumentalness
- 5%
- Liveness
- 12%
- Loudness
- 51%
- Speechiness
- 5%
- Valence
- 13%
- Popularity
- 0%
- Loudness
- -29.158 dB
Summary
"Barber: Despite and Still, Op. 41: IV. "Solitary Hotel"" by Samuel Barber, Thomas Allen, Roger Vignoles was released on 1994. The duration of Barber: Despite and Still, Op. 41: IV. "Solitary Hotel" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Barber: Despite and Still, Op. 41: IV. "Solitary Hotel"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 19 in Barber - Vocal and Chamber Works by Samuel Barber, Thomas Allen, Endellion String Quartet, Roger Vignoles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Barber: Despite and Still, Op. 41: IV. "Solitary Hotel"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Barber: Despite and Still, Op. 41: IV. "Solitary Hotel" BPM
The tempo marking of Barber: Despite and Still, Op. 41: IV. "Solitary Hotel" by Samuel Barber, Thomas Allen, Roger Vignoles is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Barber: Despite and Still, Op. 41: IV. "Solitary Hotel" Key
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cavalleria rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan, Royal Liverpool Philharmopnic Orchestra | F Major | 1 | 7B | 173 BPM | |
 | Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | |
 | Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | |
 | Capricorn Concerto, Op. 21: Allegro ma non troppo | Samuel Barber, Christopher Hogwood | D Major | 1 | 10B | 88 BPM | |
 | O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | |
 | Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | |
 | Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | |
 | Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
- ISRC
- GBAYC9302972
- Label
- L-M Records/RCA Records
Section: 0.7875969409942627
End: 0.7925870418548584